What historical periods saw a surge in concrete use for public Nature-themed Sculptures?

The use of concrete in nature-themed public sculptures experienced significant surges during three key historical periods. The 1930s Organic Modernism movement, pioneered by artists like Barbara Hepworth and Henry Moore, embraced concrete's plasticity to create flowing botanical and geological forms. This was followed by the Post-War Reconstruction era (1945-1960), where governments utilized affordable concrete for park sculptures symbolizing growth and resilience, particularly in Europe and Soviet states.

The most profound surge occurred during the Brutalist period (1950s-1970s), where architects and sculptors collaboratively created massive nature-inspired installations for urban spaces. Artists like Eduardo Chillida employed raw concrete's textured quality to echo geological formations in plazas and government buildings. Contemporary revivals since the 2000s have seen eco-artists using permeable concrete for environmental installations, blending structural durability with ecological themes.

These periods collectively demonstrate how concrete's versatility and economic practicality made it ideal for large-scale nature sculptures, particularly during eras emphasizing public art accessibility and material honesty.