What historical precedents exist for plastic use in abstract nature-themed sculptures?

The use of plastic in abstract nature-themed sculptures has several historical precedents, reflecting both artistic innovation and environmental consciousness. In the mid-20th century, artists like Naum Gabo and Jean Dubuffet experimented with synthetic materials, including plastics, to create organic forms that mirrored natural patterns. The 1960s and 70s saw a surge in eco-art movements, where sculptors like Eva Hesse and Robert Smithson incorporated plastics to critique industrialization while evoking natural textures. Contemporary artists, such as Tara Donovan, continue this tradition, using recycled plastics to craft large-scale installations that mimic landscapes. These precedents highlight plastic's versatility in bridging abstraction and nature, while also addressing sustainability in modern art.