What role does fabric sculpture play in post-colonial cybernetics?

Fabric sculpture, as a medium, occupies a unique space in the discourse of post-colonial cybernetics, where art, technology, and cultural identity intersect. In post-colonial contexts, fabric sculpture often serves as a tactile metaphor for hybridity, weaving together traditional craftsmanship with modern technological influences. Cybernetics, with its focus on systems and control, finds an unexpected parallel in the meticulous construction of textile-based art, which embodies both autonomy and interconnectedness.

These sculptures challenge colonial narratives by reclaiming indigenous materials and techniques, while simultaneously engaging with digital and mechanical processes. The result is a dynamic form of expression that questions power structures, celebrates cultural resilience, and redefines the boundaries of art in a globalized, technologized world. By merging the organic with the synthetic, fabric sculpture in post-colonial cybernetics becomes a powerful tool for decolonizing aesthetics and imagining futures beyond imperial legacies.